Sing (movie 2016)

I missed quite a lot of movies in theatres lately and now that they’re slowly being released on Blu-Ray/DVD, I’m finally catching up. My latest additions are “Moana” and “Sing”.

sing011I had fun. It’s just very unfortunate for Sing that I watched Moana first. Do’t get me wrong, it’s a nice movie, it’s fun, has some pretty unique and enjoyable characters, but it’s not a “must see”. While Moana is not Disney’s greatest movie ever, it’s at least one of their better recent ones, that’s for sure. It’s not flawless and while the budget clearly shows (like, seriously, that’s got to be arguably the most beautiful animated movie I’ve ever seen), it has some shortcommings. This is criticism on a very high level, though. Still… I support Zootopia for winning the best animated movie Oscar, it really was the best animated movie of 2016.

Either way, back to sing: The plot is pretty thin. This wouldn’t really be much of a problem, if the characters were strong… which they aren’t. And here’s the problem I have with the movie: the characters don’t interact. You have this cast of awesome and interesting personalities and they’re just there for the sake of being there. All of them come with their own sets of problems, which all of them more or less solve by the end. They solve these problems by themselves, because they sing.

The singers in the show barely talk to each other outside of their respective groups. Even Buster Moon doesn’t really talk to them that much, he basically chooses them, chooses their songs and dresses, puts them into rehearsal rooms to practice and that’s it. The first and last time you see them interact is when they’re building the “outdoor theatre” together. Buster and Meena are the clostest, because Buster lets her work behind the scenes instead of sing, so he has to pay attention to her and teach her how stuff works.

I personally feel the main problem is, the movie tried to do too much at the same time. I personally cared the most about Johnny and his storyline, but that would’ve easily been enough to fill the entire movie and then there’s all the other characters, too. Frankly speaking, there’s simply not enough time to give each character the time they deserve for growth and developments to solve theie own problems in a satisfying way. Instead, I guess they focussed on Butster Moon and indended to have this story revolve around him, but his story is the least interesting. I mean, yeah, he loves his theatre and he doesn’t want to loose it, because of his dad, but when it comes to it it’s a money problem first and foremost. The other characters have emotional hurdles to take. Well, except Mike, Mike is an asshole and only cares about money and reputation.

Meena is very shy and needs to overcome her natural timid nature in order to follow her dream of being a musician. Ash needs to free herself of her boyfriend, who’s stopping and constricting her own artistic talent, but she catched him cheating on her and has to deal with a broken heart. Johnny… well, poor boy has a criminal as a father, who wants him to join the gang and doesn’t acknowledge Johnny’s interest in music. Rosita is the burned out mom of too many kids and not enough support from her husband who needs her personal life to kick off in order to be happy again.

All of this ^ sounds more interesting than the Koala with money problems. Here’s two l3vQZEUEKUvbvsFsAdifferent approaches: a) reduce the backstory of the singers, because their backstories don’t matter that much anyway, to properly build Buster Moon into a likable character with an actual emotionally connectable problem and that would most likely include giving more backstory to Buster and his father. Take your time to build emotions and don’t just throw stuff at out faces and expect us to care. Does anyone really cares about Buster? I don’t even think so, in the movie itself it was said all of Busters shows were flops, so it’s HIS fault he’s in this situation anyway and he expects these singers to get him out of it. Besides, he’s committing crime along the way, stealing electricity and water and illegally employ these squids.

b) reduce the backstory of everyone expect one of the singers and explore him or her properly and include the other caracters present into his or her healing process.

This movie tried to do everything at the same time and that’s just too much. It’s still fun, the music is great, but I never connected with the characters as much as I expected I would. Unfortunately, Meena seems to be the one from the artists who’s the “main” and for me she was the least interesting one, because she had the most trivial problem. Yes, being timid is not a piece of cake and getting over your fears is very hard and challenging and I’m not trying tot alk that down, but she had such a picture perfect life besides that. It’s like… girl, you have a way better life than any of your competitiors, why should I root for you over them? You will get your next chance, your family will catch you if you fall and help you come back. Rosita doesn’t have anyone like that, she will just fall deeper into depression. Johnny might end up in freaking prison as a criminal. Meena is basically the princess of the group.

It doesn’t really help much her song in the show was my least favorite. It’s not the song itself, Stevie Woner’s original version is awesome, I just don’t like Meena’s cover and I was glad when it was over. The other characters did a much better job covering/presenting their songs, in my opinion. I mean, have you listend to the orinal version of “Don’t you worry ’bout a thing”? It’s Latin-ish with lot’s of piano inviting you to dance Chachacha (if I’m not entirely mistaken, you can dance a Chacha to this), it’s a feel good song. Meena’s version doesn’t do it any justice. I loved her sining Halleluja so much more, why couldn’t she have sung something like that? Or … at least some kind of ballad, instead of latin? I don’t think it was the right song for her.

sourceBy the way, I loved Gunther. He was so cool. He was flat as a board in terms of characterization, but he was the comic relief and he was doing a great job being just that. They tried to give all these characters background and problems and failed to explore them properly and it’s the one character with no background whatsoever and barely and charcter to him, that I love the most. The things he was supposed to do, he was doing  extreamly well and that was: being funny and helping Rosita to loosen up. That’s all, but he did his job and he did it good.

Enough rambling. It was okay. Visuals were good, not quite as amazing as Moana, but good. Thin plot, interesting characters that don’t interact and (for the most part) pretty good music. It’s mild entertainment, but not a must-see.

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