So… I guess if you loose, you’ve got to do it right and walk out of it with 0 points together with the host. On a brigther note, the german and austrian contestants are planning on making music together now, because they came to like each other so much. That’s… good news, I guess?
I’m super happy for Belgium and Latvia for walking out of the contest with two very modern and unique songs so successfully. I mean: 4rth place and 6th place? Can’t complain about that. =D
So, let’s talk a bit about the voting. I took a quick look and here’s what I noticed: In case of Germany, the jury-voting seemed to be better than the televoting. However, if it had been only televoting, we would’ve still walked away with at least 5 points and a 25th place, so I guess we do have some friends in Europe left after all. And the host? Still last with 0 points. Ouch.
Now, here’s another interesing piece of information: If the contest would’ve been 100% televoting, the clear winner would’ve been… Italy with a full 80 points ahead of second place Russia. That’s right, the oh-so-loved Sweden, would’ve been thrid. So basically the juries made Sweden win. In the full split result chart you’ll notice the jury-votes for Italy are shockingly low compared to the televoting results. Nice and bitter taste, isn’t it?
Yeah, I’m not really happy with the overall winner, even more so since it’s a jury winner on top of that. I really liked the russian entry, because I think it’s a very well performed awesome power-ballad, but I wouldn’t have wanted Russia to hold the next contest considering the more recent law changes and overall anti-tolerant direction the country is taking. This is not the artists fault and I still love her singing, I just don’t want Eurovision in Russia right now. A few years ago it was all right and maybe in a few years it’ll be all right again, but not right now. Please don’t take this the wrong way.
Either way, why is it I’m not that happy with the overall winner Sweden? Well, for once Sweden already won 2012 and that was just 3 years ago and now we’re already going back there. Sweden has as many wins as Ireland now and I think a contest is boring if one contestant is dominating too much, like Ireland was 30-20 years ago.
The other thing is… I think Måns Zelmerlöw is too perfect. The song, the performance, the guy himself – everything is calculated to win, like a cardboard cutout, and it was successfull. Sure, if Sweden wants to win the ESC so bad, they can pour that much enery in it to produce the picture perfect Eurovision song/singer/performane, they are free to do so, but I don’t have to like that. I like the quirky entries more, the unusual ones. I still like Seriba best! I totally overlooked Italy, though, and they blew me away in the final, awesome surprise.
About the voting system: I think it’s problematic the way it’s done right now. I mean, it’s a good idea to have a jury to counter the inevitable blockvoting, but the juries themselves are usually just random musicians. I mean, how about you have “real” juries with people who actually really know their stuff about music, who seriously studied music or something.The juries should vote for the music, the performance, the package and not against televoting, something that is happening on purpose. I’m actually not quite sure if I wouldn’t like to try an ESC on televoting alone – since Italy would’ve won, you can’t really argue the eastern European countries would dominate too much, would you?
And about Blockvoting: Sweden got 12 points from all scandinavian countries – Norway, Denmark, Finland and Iceland. Sure, to win you need 12 points from other countries as well, but if that’s not a prime example of block voting, then what is? And when the easter european countries do this, people are so enraged they favor their neighbors, but when scandinavia does it, nobody bats an eye. Double standart at it’s finest.
And Australia? They did great, walked away with a 5th place and a nice song. To win the song was too… soft I guess. It’s a great mainstream pop-song, but it’s too clean and flat I guess. For winning, it would’ve needed a few more high points I guess? This is a song that does well in charts and on the radio, but that doesn’t mean it’ll win the ESC. Still a great song, though and I think it’s a bit sad Australia has to leave the Eurovision-circus already. Awesome guest entry, though. Keep the good mood up, Kiwis! =)
And lastly, the contest was so serious this year it was way close to actually resembling a cultural event, too close for my taste. Israel with their “Golden Boy” rescued the Grand Final. So, for 2016 how about we go back to our fun and crazy ESC that we love, instead of falling asleep after the 20th ballad?